I have begun exploring ways to bring light, form, and color together in a new body of work outside the landscape genre. All of these new images start with a camera. All are printed with archival pigment inks on Hahnemuhle Museum Etching paper. In almost every case they involve a series of variations on a single graphic element. Go to this Journal entry for more background.
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The central “calligraphy” in this series was created by moving a camera in front of a point source of light. I interjected my fingers between the light and the camera at intervals to break up the pattern. The color of the central figure in each pair is constant. However, the perception of that color changes dramatically as it contrasts with the two distinct background colors. The large six panel piece on the left is the primary work in this series. However, the three smaller pairs may be purchased and framed separately.
These “light tubes” were created by photographing colored light bulbs swinging in a pendulum motion. The large four panel piece on the left is the primary work in this series. However, the individual elements may be purchased and framed separately.
These “thread fields” were originally created as table top constructions strung with actual thread from a sewing supply store at eighth inch intervals in six different colors. In setting them up to photograph, I had trouble getting the lighting even so I decided to recreated them in the computer with four pixel “threads” in the same color sequence. In all three of these studies the thread colors are the same. So it follows that in the two dual background pieces the thread colors are identical on both sides. The apparent differences are due to the way the eye perceives these threads against the distinct backgrounds. The spaces between the threads in the white piece are just as white as the borders but the eye sees a color wash in those spaces thereby creating the pastel bands that give the picture its general structure.
To create the piece, I built a table top construction with a clear acrylic top. I drilled rows of holes in the acrylic and suspended wire in the near ground through the holes. Behind that I suspended colored craft thread, experimenting with a progression of colors across the picture plane. I lit this construction and photographed it against a gray seamless background. In the process I made a number of experiments with depth of field until I got the right balance of in-focus texture with out-of-focus color field.
As with the Light Tubes above, these “light waves” were made by photographing swinging light bulbs—in this case spiral compact fluorescents. The large three panel piece on the left is the primary work in this series. However, the three individual panels may be purchased and framed separately.
I photographed these red chairs against a black metal wall on the outdoor patio of the Danish Royal Theater in Copenhagen. Later I painted the cracks in the wall and table to create this set of variations. The large three panel piece on the left is the primary work in this series. However, the three individual images may be purchased and framed separately.
These three variations on the two central forms were made by photographing a table top construction lit with colored gels. As with many of the other series, the large three panel piece on the left is the primary work. The individual elements may be purchased and framed separately.
